![]() The writing of this book was funded by Sogang University (Research grants #201710109.01, #201810020.01). Special thanks go to USC Annenberg, USC Graduate School, USC Visions & Voices, and the USC Korean Studies Institute. Earlier stages of this research were supported by the University of Southern California. Finally, my deepest respect goes to the hip hop artists whose lives and music shape this project. To my family, your unconditional love and support sustain me. To my friends, thank you for always being there. As will be demonstrated throughout this book, the use of Hanguk offers sociocultural and. My appreciation goes to the East Asian Popular Culture series editors for seeing its potential, the anonymous reviewers who provided invaluable feedback, and the expert team at Palgrave Macmillan. Korean hip hop has a little over twenty years of history. There are many people who helped this project become a book. ![]() This research would not have been possible without your insightful guidance and continued encouragement. Cover credit: CactuSoup/DigitalVision Vectors/Getty Images This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: GewerbestraCham, Switzerland Acknowledgements First, I would like to thank my mentors at Ewha Womans University, University of Southern California, and Sogang University. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The use of general descriptive names, registered names, trademarks, service marks, etc. ![]() All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. More information about this series at Myoung-Sun Song Hanguk Hip Hop Global Rap in South Korea Myoung-Sun Song Department of American Culture Sogang University Seoul, Korea (Republic of) East Asian Popular Culture ISBN 978-6-1 ISBN 978-7-8 (eBook) Library of Congress Control Number: 2019934752 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019 This work is subject to copyright. It continues the scholarly discourse on the recent prominence of East Asian popular culture as well as the give and take between Eastern and Western cultures. The series examines cultural production in East Asian countries, both individually and collectively, as its popularity extends beyond the region. Lent International Journal of Comic Art Drexel Hill, PA, USA This series focuses on the study of popular culture in East Asia (referring to China, Hong Kong, Japan, Mongolia, North Korea, South Korea, and Taiwan) in order to meet a growing interest in the subject among students as well as scholars of various disciplines. Pages 175-198 Citation previewĮAST ASIAN POPULAR CULTURE Hanguk Hip Hop Global Rap in South Korea Myoung-Sun Song East Asian Popular Culture Series Editors Yasue Kuwahara Department of Communication Northern Kentucky University Highland Heights, KY, USA John A. Pages i-ix We All Made Us: Historicizing Hanguk Hip Hop (Myoung-Sun Song).Pages 1-28 Made in Korea: Authenticity in Hanguk Hip Hop (Myoung-Sun Song).Pages 29-61 From Hongdae to Sinchon: Space and Place in Korean Hip Hop (Myoung-Sun Song).Pages 63-91 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea (Myoung-Sun Song).Pages 93-120 Idol Rapper: K-Pop and the Production of Authenticity (Myoung-Sun Song).Pages 121-144 Unpretty Rapstar: Gender and Representation in Korean Hip Hop (Myoung-Sun Song).Pages 145-169 We All Made History: Globalizing Hanguk Hip Hop (Myoung-Sun Song).Pages 171-174 Back Matter.
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